![]() Instrumentation: flute/piccolo, oboe, clarinet in Bb, bassoon, horn, trumpet, trombone, tuba, percussion (one player), piano, violin I, violin II, viola, violoncello, contrabass Live recording, May 29 th 2004, International New Music Week, Radio Concert Hall, Bucharest Recording: Profil Sinfonietta, conductor Radu Popa. Premiered: June 6 th 2003, “George Enescu” Concert Hall, Profil Sinfonietta, conductor Radu Popa Sonata for flute and piano (excerpt) Full Score (excerpt)Ĭommissioned by Ernst von Siemens Foundation In 1998, Sonata for flute and piano won the Grand Prix at “George Enescu” International Composition Competition for Young Composers (Bucharest). The sonata’s musical material uses non-octaviant modal structures and modes of durations built on numeric principles. Conceived in a single movement, the evolution of the piece alternates between contrasting dialogues between the instruments and homogenizing moments, between episodes suspended in time and rhythmic sections, between explosions of the two instruments’ ambituses and moments of an extreme narrowing of the sonic space. Sonata for flute and piano was composed in 1996 following a special collaboration with the flutist Adrian Buciu. Live recording, January 25 th 2011, Radio Concert Hall, BucharestĪward: Grand Prix at “George Enescu – Childhood Impressions” International Composition Competition, Bucharest, 1998 Recording: Matei Ioachimescu – flute and Horia Maxim – piano. Premiered: 1996 by Adrian Buciu – flute and Cristian Lolea – piano Music:Ĭomposed: 1996 – Written for the flutist Adrian Buciu Entropia was written in 2009 for Profil Sinfonietta. On the other hand, as in detective fiction, the clues we get along the way could lead us to discover the murderer. We witness a continuous oscillation between a state of evolution, a state of suspension and one of disintegration. In its development, the work has mainly a concise, sometimes abrupt discourse, rather than a “wide breath”, in which the musical elements tend to contaminate each other. If we were to make a reference to the visual, Entropia would look more like black-and-white music. The idea for this work began to take shape following some discussions with film director Gheorghe Preda. Instrumentation: flute/piccolo, clarinet in Bb/bass clarinet, horn, trumpet, trombone, percussion (one player), violin, viola, violoncello, contrabassĪward: Special Prize at the "George Enescu" International Composition Competition, Bucharest, 2009 Recording: Profil Sinfonietta, conductor Tiberiu Soare (live recording) Premiered: September 4 th 2009, George Enescu Festival, Romanian Athenaeum, Profil Sinfonietta, conductor Tiberiu Soare His music has also been presented in renowned international festivals such as the Warsaw Autumn, the George Enescu Festival and the World Music Days. His works have been performed across Europe and America, and have been awarded prizes in numerous national and international competitions, such as “The Roads of Romanticism” (1st Prize, 2007) and the “George Enescu International Composition Competition” (Special Prize, 2009). He composes chamber music, symphonic and vocal-symphonic music. ![]() He has participated in various international workshops with grants, including the Gaudeamus Music Week in Amsterdam (1997), International Summer Courses for Young Composers in Radziejowice (1998) and the 7th Internationale Akademie für Neue Komposition und Audio-Art in Schwaz (1999), where he studied with Bogusław Schaeffer, Marek Chołoniewski and Martijn Padding. In 2010 he completed his PhD from NUMB receiving the highest academic honors: summa cum laude. ![]() Born in 1977, Lolea studied composition with Tiberiu Olah and graduated from the National University of Music Bucharest in 2000.
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